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Título : Arts, Research, Innovation and Society Tipo de documento: documento electrónico Autores: SpringerLink (Online service) ; Gerald Bast ; Elias G. Carayannis ; David F. J. Campbell Editorial: Cham : Springer International Publishing Fecha de publicación: 2015 Otro editor: Imprint: Springer Colección: Arts, Research, Innovation and Society Número de páginas: X, 297 p. 108 illus., 75 illus. in color Il.: online resource ISBN/ISSN/DL: 978-3-319-09909-5 Idioma : Inglés (eng) Palabras clave: Business Arts Management Industrial management Political economy and Innovation/Technology Economy Clasificación: 658 Empresas. Organización de empresas Resumen: This book explores – at the macro, meso and micro levels and in terms of qualitative as well as quantitative studies – theories, policies and practices about the contributions of artistic research and innovations towards defining new forms of knowledge, knowledge production, as well as knowledge diffusion, absorption and use. Artistic research, artistic innovations and arts-based innovations have been major transformers, as well as disruptors, of the ways in which societies, economies, and political systems perform. Ramifications here refer to the epistemic socio-economic, socio-political and socio-technical base and aesthetic considerations on the one hand, as well as to strategies, policies, and practices on the other, including sustainable enterprise excellence, considerations in the context of knowledge economies, societies and democracies. Creativity in general, and the arts in particular, are increasingly recognized as drivers of cultural, economic, political, social, and scientific innovation and development. This book examines how one could derive and develop insights in these areas from the four vantage points of Arts, Research, Innovation and Society. Among the principal questions that are examined include: - Could and should artists be researchers? - How are the systems of the Arts and Sciences connected and/or disconnected? - What is the impact of the arts in societal development? - How are the Arts interrelated with the mechanisms of generating social, scientific and economic innovation? As the inaugural book in the Arts, Research, Innovation and Society series, this book uses a thematically wide spectrum that serves as a general frame of reference for the entire series of books to come Nota de contenido: Introduction -- Fighting Creative Illiteracy -- Art and Artistic Research in Quadruple and Quintuple Helix Innovation Systems -- The Culture of Information and the Information of Culture -- Art, Research and Society – New Ecology – The Affective Power -- Crossing Thresholds -- A 3D “T-shaped” Design Education Framework -- The Heterodox Pedagogy: Hackerspaces and Collaborative Education in Design -- The Noetic Turn: From Language-based to Tool-based Knowledge Trees -- United Micro Kingdoms: A Design Fiction (2013), Critical Design FAQ (2007) -- “A Certain Frustration …”: Paradoxes – Problematics – Perspectives in Artistic Research Today -- Thinking Out of the Urban Design Toolbox -- Heterotopoetic -- Art & Design as Social Fabric -- Provocation as a Constructive Element in the Arts and in Education to Foster Societal Development and Innovation -- Conclusion En línea: http://dx.doi.org/10.1007/978-3-319-09909-5 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=35450 Arts, Research, Innovation and Society [documento electrónico] / SpringerLink (Online service) ; Gerald Bast ; Elias G. Carayannis ; David F. J. Campbell . - Cham : Springer International Publishing : Imprint: Springer, 2015 . - X, 297 p. 108 illus., 75 illus. in color : online resource. - (Arts, Research, Innovation and Society) .
ISBN : 978-3-319-09909-5
Idioma : Inglés (eng)
Palabras clave: Business Arts Management Industrial management Political economy and Innovation/Technology Economy Clasificación: 658 Empresas. Organización de empresas Resumen: This book explores – at the macro, meso and micro levels and in terms of qualitative as well as quantitative studies – theories, policies and practices about the contributions of artistic research and innovations towards defining new forms of knowledge, knowledge production, as well as knowledge diffusion, absorption and use. Artistic research, artistic innovations and arts-based innovations have been major transformers, as well as disruptors, of the ways in which societies, economies, and political systems perform. Ramifications here refer to the epistemic socio-economic, socio-political and socio-technical base and aesthetic considerations on the one hand, as well as to strategies, policies, and practices on the other, including sustainable enterprise excellence, considerations in the context of knowledge economies, societies and democracies. Creativity in general, and the arts in particular, are increasingly recognized as drivers of cultural, economic, political, social, and scientific innovation and development. This book examines how one could derive and develop insights in these areas from the four vantage points of Arts, Research, Innovation and Society. Among the principal questions that are examined include: - Could and should artists be researchers? - How are the systems of the Arts and Sciences connected and/or disconnected? - What is the impact of the arts in societal development? - How are the Arts interrelated with the mechanisms of generating social, scientific and economic innovation? As the inaugural book in the Arts, Research, Innovation and Society series, this book uses a thematically wide spectrum that serves as a general frame of reference for the entire series of books to come Nota de contenido: Introduction -- Fighting Creative Illiteracy -- Art and Artistic Research in Quadruple and Quintuple Helix Innovation Systems -- The Culture of Information and the Information of Culture -- Art, Research and Society – New Ecology – The Affective Power -- Crossing Thresholds -- A 3D “T-shaped” Design Education Framework -- The Heterodox Pedagogy: Hackerspaces and Collaborative Education in Design -- The Noetic Turn: From Language-based to Tool-based Knowledge Trees -- United Micro Kingdoms: A Design Fiction (2013), Critical Design FAQ (2007) -- “A Certain Frustration …”: Paradoxes – Problematics – Perspectives in Artistic Research Today -- Thinking Out of the Urban Design Toolbox -- Heterotopoetic -- Art & Design as Social Fabric -- Provocation as a Constructive Element in the Arts and in Education to Foster Societal Development and Innovation -- Conclusion En línea: http://dx.doi.org/10.1007/978-3-319-09909-5 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=35450 Ejemplares
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Título : Arts, Sciences, and Economics : A Historical Safari Tipo de documento: documento electrónico Autores: Tönu Puu ; SpringerLink (Online service) Editorial: Berlin, Heidelberg : Springer Berlin Heidelberg Fecha de publicación: 2015 Otro editor: Imprint: Springer Número de páginas: XXIV, 189 p. 80 illus., 53 illus. in color Il.: online resource ISBN/ISSN/DL: 978-3-662-44130-5 Idioma : Inglés (eng) Palabras clave: Arts Cultural heritage Mathematics Social sciences Statistical physics Economics Management science Culture - Economic aspects Economics, general Heritage in the Humanities and Sciences Nonlinear Dynamics Clasificación: 316.722 Cultura de diferentes sociedades. Civilización Resumen: This book deals with the economic aspects of changing attitudes in arts and sciences. The effects of the public good character of culture, along with the very long production period and lifetime for its products, are emphasized, since both contribute to the failure of normal market solutions. Embodiment of ideas, and the consequences of modern reproduction technology for protection of property rights are closely examined. The evolution within arts and sciences, which often seems to return to previously scrapped ideals, is illustrated by detailed case studies, in which the importance of changing tastes, rather than progress proper, is emphasized. The author attempts an understanding for this using Darwinian evolution in combination with modern mathematical complexity theory, expressed in terms accessible to the general reader. The second edition is extended and updated especially as regards the illustration material. “Professor Puu (…) introduces a fourth approach [to cultural economics]. (…) working it like a triangle, Arts, Sciences and Economics is, in a sense, inductive in nature. An observation made in one of the arts or the natural & engineering sciences (henceforth ‘sciences’) or economics is extended to cover the other two points of the triangle. The temporal plane of this triangle covers the pre-Renaissance to the 21st century with a special and loving emphasis on the Baroque.(...) Professor Puu’s method reminds me of Pascal’s Pensées (…), it also reminds me of Goethe (…) Unlike Goethe, however, the ‘certain order’ achieved by Professor Puu is mathematical rather than intuitive or aesthetic in nature. Underpinning the text is the correlation between Arts, Sciences and Economics through mathematics. And mathematics covers the waterfront from probability to chaos theory (…) This underpinning does, however, reveal Professor Puu as having a very well developed mathematical mind (…). Similarly, his cultural and historical erudition cannot be faulted but rather must be praised. The text is rich in example. (…) This book is not a narrative with a beginning, middle and end. It is Professor Puu’s Pensées. (…) Calculatory rationalism is not the only tool of economics. Arguably, this is one implication of the term ‘knowledge-based economy’. To such an economy, however, Professor Puu has made a most valuable and fascinating contribution.“(...) Harry Hillman Chartrand, Book Review in Journal of Cultural Economics, vol. 31, number 1, 2007 Nota de contenido: Culture and Civilization -- Public Goods -- Patronage -- Changing Attitudes -- Evolution in Science -- Perfection in Art -- Modelling Evolution Through Structural Change En línea: http://dx.doi.org/10.1007/978-3-662-44130-5 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=35769 Arts, Sciences, and Economics : A Historical Safari [documento electrónico] / Tönu Puu ; SpringerLink (Online service) . - Berlin, Heidelberg : Springer Berlin Heidelberg : Imprint: Springer, 2015 . - XXIV, 189 p. 80 illus., 53 illus. in color : online resource.
ISBN : 978-3-662-44130-5
Idioma : Inglés (eng)
Palabras clave: Arts Cultural heritage Mathematics Social sciences Statistical physics Economics Management science Culture - Economic aspects Economics, general Heritage in the Humanities and Sciences Nonlinear Dynamics Clasificación: 316.722 Cultura de diferentes sociedades. Civilización Resumen: This book deals with the economic aspects of changing attitudes in arts and sciences. The effects of the public good character of culture, along with the very long production period and lifetime for its products, are emphasized, since both contribute to the failure of normal market solutions. Embodiment of ideas, and the consequences of modern reproduction technology for protection of property rights are closely examined. The evolution within arts and sciences, which often seems to return to previously scrapped ideals, is illustrated by detailed case studies, in which the importance of changing tastes, rather than progress proper, is emphasized. The author attempts an understanding for this using Darwinian evolution in combination with modern mathematical complexity theory, expressed in terms accessible to the general reader. The second edition is extended and updated especially as regards the illustration material. “Professor Puu (…) introduces a fourth approach [to cultural economics]. (…) working it like a triangle, Arts, Sciences and Economics is, in a sense, inductive in nature. An observation made in one of the arts or the natural & engineering sciences (henceforth ‘sciences’) or economics is extended to cover the other two points of the triangle. The temporal plane of this triangle covers the pre-Renaissance to the 21st century with a special and loving emphasis on the Baroque.(...) Professor Puu’s method reminds me of Pascal’s Pensées (…), it also reminds me of Goethe (…) Unlike Goethe, however, the ‘certain order’ achieved by Professor Puu is mathematical rather than intuitive or aesthetic in nature. Underpinning the text is the correlation between Arts, Sciences and Economics through mathematics. And mathematics covers the waterfront from probability to chaos theory (…) This underpinning does, however, reveal Professor Puu as having a very well developed mathematical mind (…). Similarly, his cultural and historical erudition cannot be faulted but rather must be praised. The text is rich in example. (…) This book is not a narrative with a beginning, middle and end. It is Professor Puu’s Pensées. (…) Calculatory rationalism is not the only tool of economics. Arguably, this is one implication of the term ‘knowledge-based economy’. To such an economy, however, Professor Puu has made a most valuable and fascinating contribution.“(...) Harry Hillman Chartrand, Book Review in Journal of Cultural Economics, vol. 31, number 1, 2007 Nota de contenido: Culture and Civilization -- Public Goods -- Patronage -- Changing Attitudes -- Evolution in Science -- Perfection in Art -- Modelling Evolution Through Structural Change En línea: http://dx.doi.org/10.1007/978-3-662-44130-5 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=35769 Ejemplares
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Título : Symmetry : Cultural-historical and ontological aspects of science-arts relations The natural and man-made world in an interdisciplinary approach Tipo de documento: documento electrónico Autores: György Darvas ; SpringerLink (Online service) Editorial: Basel : Birkhäuser Basel Fecha de publicación: 2007 Número de páginas: XI, 508 p. 420 illus., 66 illus. in color Il.: online resource ISBN/ISSN/DL: 978-3-7643-7555-3 Idioma : Inglés (eng) Palabras clave: Mathematics Arts Architecture Mathematics, general Architecture, Clasificación: 51 Matemáticas Resumen: All of us have a certain conception of what symmetry means, at least as far as its main forms are concerned (like mirror-reflection or rotation, but only rarely translation). What are the common features of these transformations? How can one generalise them to explain similar phenomena that appear in different arts and sciences? What other forms of symmetry can we include in the scope of our study by the application of these generalised rules? How can a common phenomenon lend possible solutions from one discipline to another? Did you know that symmetry is a universal concept that has appeared in all cultures since prehistoric times, accompanying us through the history of mankind? What important role have asymmetries like the one-handedness of the neutrino played in the formation of matter, from the assumed Big Bang through to the asymmetries of the human brain? This book tries to explain these and a number of related questions. This is the first comprehensive book on the topic since the publication of H. Weyl’s popular book on symmetry more than fifty years ago. It is relevant to almost all fields of science where symmetry appears as a phenomenon or is applied as a method, and where the concept is present in contemporary sciences, humanities and arts. Symmetry used to be a fundamental phenomenon in crystallography, where its basic concept was elaborated, in morphological biology, and of course in mathematics, which provided its exact description. In the last half century symmetry (and symmetry breaking) has become a leading principle in physics, in all sciences that deal with the structure of matter, as well as in the biochemistry of proteins, the study of the genetic code, brain research (where functional asymmetries have been revealed), psychology, and in developing architectural structures and in business decision-making, to name but a few examples. This book seeks to find common regularities among these apparently disparate phenomena. It covers most of the achievements reached in the sciences in recent decades that have been given new impetus by the mutual influences of art and science related to symmetry (or the lack of it). Following two introductory chapters, which include the newest generalisation of the concept of symmetry and outline a historical approach, the author leads the reader, step by step, from the relevant basic phenomena to the most typical applications of different appearances of symmetries in the sciences and the humanities. Several references are made to the history of science and art and to philosophical conclusions. The author avoids unnecessary detail and gives many examples, providing 350 illustrations. The essential knowledge on the topic is arranged in an ontological order, following the self-organisation of matter from investigations into inanimate nature, through the formation of organic matter, to the products of the human mind. As is demanded by the formulation of the fundamental knowledge for a new discipline, the book keeps to scientific standards. It exceeds the limits of popular science, and is formulated at a university level. Although it presumes the knowledge of an average university student, it avoids difficult mathematical formulations in order to make the subject understandable for adherents of other disciplines Nota de contenido: Introductory chapters -- Symmetry, invariance, harmony -- Historical Survey -- Symmetry in geometrical decorative art -- The golden section -- Interdisciplinary applications -- Fibonacci numbers in nature -- Perfection and beauty -- The mystery of fivefold symmetry -- From viruses to fullerene molecules -- Symmetry in Inanimate Nature -- Cosmological symmetries -- Sight and Hearing -- Symmetries and symmetry breakings in inanimate nature -- The road from nature to man -- Chirality -- Cerebral asymmetries -- Human Creativity -- Beauty and truth -- Rationality and impression En línea: http://dx.doi.org/10.1007/978-3-7643-7555-3 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=34679 Symmetry : Cultural-historical and ontological aspects of science-arts relations The natural and man-made world in an interdisciplinary approach [documento electrónico] / György Darvas ; SpringerLink (Online service) . - Basel : Birkhäuser Basel, 2007 . - XI, 508 p. 420 illus., 66 illus. in color : online resource.
ISBN : 978-3-7643-7555-3
Idioma : Inglés (eng)
Palabras clave: Mathematics Arts Architecture Mathematics, general Architecture, Clasificación: 51 Matemáticas Resumen: All of us have a certain conception of what symmetry means, at least as far as its main forms are concerned (like mirror-reflection or rotation, but only rarely translation). What are the common features of these transformations? How can one generalise them to explain similar phenomena that appear in different arts and sciences? What other forms of symmetry can we include in the scope of our study by the application of these generalised rules? How can a common phenomenon lend possible solutions from one discipline to another? Did you know that symmetry is a universal concept that has appeared in all cultures since prehistoric times, accompanying us through the history of mankind? What important role have asymmetries like the one-handedness of the neutrino played in the formation of matter, from the assumed Big Bang through to the asymmetries of the human brain? This book tries to explain these and a number of related questions. This is the first comprehensive book on the topic since the publication of H. Weyl’s popular book on symmetry more than fifty years ago. It is relevant to almost all fields of science where symmetry appears as a phenomenon or is applied as a method, and where the concept is present in contemporary sciences, humanities and arts. Symmetry used to be a fundamental phenomenon in crystallography, where its basic concept was elaborated, in morphological biology, and of course in mathematics, which provided its exact description. In the last half century symmetry (and symmetry breaking) has become a leading principle in physics, in all sciences that deal with the structure of matter, as well as in the biochemistry of proteins, the study of the genetic code, brain research (where functional asymmetries have been revealed), psychology, and in developing architectural structures and in business decision-making, to name but a few examples. This book seeks to find common regularities among these apparently disparate phenomena. It covers most of the achievements reached in the sciences in recent decades that have been given new impetus by the mutual influences of art and science related to symmetry (or the lack of it). Following two introductory chapters, which include the newest generalisation of the concept of symmetry and outline a historical approach, the author leads the reader, step by step, from the relevant basic phenomena to the most typical applications of different appearances of symmetries in the sciences and the humanities. Several references are made to the history of science and art and to philosophical conclusions. The author avoids unnecessary detail and gives many examples, providing 350 illustrations. The essential knowledge on the topic is arranged in an ontological order, following the self-organisation of matter from investigations into inanimate nature, through the formation of organic matter, to the products of the human mind. As is demanded by the formulation of the fundamental knowledge for a new discipline, the book keeps to scientific standards. It exceeds the limits of popular science, and is formulated at a university level. Although it presumes the knowledge of an average university student, it avoids difficult mathematical formulations in order to make the subject understandable for adherents of other disciplines Nota de contenido: Introductory chapters -- Symmetry, invariance, harmony -- Historical Survey -- Symmetry in geometrical decorative art -- The golden section -- Interdisciplinary applications -- Fibonacci numbers in nature -- Perfection and beauty -- The mystery of fivefold symmetry -- From viruses to fullerene molecules -- Symmetry in Inanimate Nature -- Cosmological symmetries -- Sight and Hearing -- Symmetries and symmetry breakings in inanimate nature -- The road from nature to man -- Chirality -- Cerebral asymmetries -- Human Creativity -- Beauty and truth -- Rationality and impression En línea: http://dx.doi.org/10.1007/978-3-7643-7555-3 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=34679 Ejemplares
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Título : Art Wealth Management : Managing Private Art Collections Tipo de documento: documento electrónico Autores: Alessia Zorloni ; SpringerLink (Online service) Editorial: Cham : Springer International Publishing Fecha de publicación: 2016 Otro editor: Imprint: Springer Colección: Management for Professionals, ISSN 2192-8096 Número de páginas: XIII, 162 p. 14 illus., 4 illus. in color Il.: online resource ISBN/ISSN/DL: 978-3-319-24241-5 Idioma : Inglés (eng) Palabras clave: Fine arts Personal finance Pension plans Culture - Economic aspects Management Economics Cultural Wealth Management/Pension Planning Arts Clasificación: 330 Economía en general Resumen: This book offers an overview of how to manage private art collections, providing essential insights on art wealth management, art investment, art governance, and succession planning for art assets. It offers practical recommendations on sound art collection governance, but also examines the background of art markets and price building, including the influence of fashion and trends. Throughout history, art patronage has played an important role in the wealth of ultra-high-net-worth families and led to private museums funded by philanthropist collectors in order to celebrate their own tastes and leave a lasting legacy. Today, as a result of the growth of art investing by a new generation of wealthy collectors, not only artists but also wealthy families, sophisticated investors and their close advisors now face a more complex set of financial and managerial needs. As such, the contributions in this book will be of interest to collecting families, family offices, and professional advisors seeking to integrate art into their overall wealth management strategy, and to scholars in the fields of cultural economics, art dealers, curators, and art lovers Nota de contenido: Turning Collections into Philanthropic Opportunities -- Financial and Estate Planning for Art Assets -- Assessing and Improving the Effectiveness of Private Art Museums -- Celebrity Effect in the Contemporary Art Market -- Deepening Business Relationships Through Art -- The Art Collector Between Private Passion and Philanthropy -- Appendix: Private Museums and their Founders. En línea: http://dx.doi.org/10.1007/978-3-319-24241-5 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=42164 Art Wealth Management : Managing Private Art Collections [documento electrónico] / Alessia Zorloni ; SpringerLink (Online service) . - Cham : Springer International Publishing : Imprint: Springer, 2016 . - XIII, 162 p. 14 illus., 4 illus. in color : online resource. - (Management for Professionals, ISSN 2192-8096) .
ISBN : 978-3-319-24241-5
Idioma : Inglés (eng)
Palabras clave: Fine arts Personal finance Pension plans Culture - Economic aspects Management Economics Cultural Wealth Management/Pension Planning Arts Clasificación: 330 Economía en general Resumen: This book offers an overview of how to manage private art collections, providing essential insights on art wealth management, art investment, art governance, and succession planning for art assets. It offers practical recommendations on sound art collection governance, but also examines the background of art markets and price building, including the influence of fashion and trends. Throughout history, art patronage has played an important role in the wealth of ultra-high-net-worth families and led to private museums funded by philanthropist collectors in order to celebrate their own tastes and leave a lasting legacy. Today, as a result of the growth of art investing by a new generation of wealthy collectors, not only artists but also wealthy families, sophisticated investors and their close advisors now face a more complex set of financial and managerial needs. As such, the contributions in this book will be of interest to collecting families, family offices, and professional advisors seeking to integrate art into their overall wealth management strategy, and to scholars in the fields of cultural economics, art dealers, curators, and art lovers Nota de contenido: Turning Collections into Philanthropic Opportunities -- Financial and Estate Planning for Art Assets -- Assessing and Improving the Effectiveness of Private Art Museums -- Celebrity Effect in the Contemporary Art Market -- Deepening Business Relationships Through Art -- The Art Collector Between Private Passion and Philanthropy -- Appendix: Private Museums and their Founders. En línea: http://dx.doi.org/10.1007/978-3-319-24241-5 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=42164 Ejemplares
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Título : Rock and Roll Fantasy? : The Reality of Going from Garage Band to Superstardom Tipo de documento: documento electrónico Autores: Ronnie J. Phillips ; SpringerLink (Online service) Editorial: New York, NY : Springer New York Fecha de publicación: 2013 Otro editor: Imprint: Springer Colección: SpringerBriefs in Business, ISSN 2191-5482 num. 35 Número de páginas: XXIII, 124 p. 19 illus., 13 illus. in color Il.: online resource ISBN/ISSN/DL: 978-1-4614-5900-2 Idioma : Inglés (eng) Palabras clave: Business Performing arts Entrepreneurship Management Industrial management International law Intellectual property Law and legislation Innovation/Technology IT Media Law, Property Arts Clasificación: 658 Empresas. Organización de empresas Resumen: We are in an era where developments in both technology and musical style have coalesced to produce the greatest period of change in the music industry since the invention of recorded sound. Globalization, the Internet, and digital technology are now opening up possibilities for more artists to be innovative and financially successful. But new music requires new ways of doing business. For more artists to be better off requires new business models to replace those that dominated the 20th century. Integrating insights from economics, management, and intellectual property law, the author explores the dynamics of entrepreneurship and innovation in the music industry, and offers such provocative assessments as these: · The Beatles might never have broken up if they had the kind of two-tier contracts – as band members and as solo artists – that are common in the music industry today. · Buddy Holly would likely have avoided his tragic death in a plane crash at age 22 if his 1959 tour had been sponsored by a company like Coca Cola because today’s corporatized tours are vastly better financed and organized than the haphazard efforts of the 1950s. · The economic value of albums by the likes of Elvis and Michael Jackson has risen significantly since their deaths – the ironic byproduct of the way their behavior tarnished their own brands while they were alive. · Diana Ross might never have quit The Supremes if she had known that one-third of the artists in the 1960s who quit the group had charting careers of only one year. · Thomas Edison’s invention of the phonograph led to the modern record industry, but he is really the godfather of computer programs like Garageband which have created home recording studios. The collapse of the Soviet Union threatened the sound of rock and roll but an American entrepreneur saved the day Nota de contenido: Prologue:Who Killed Buddy Holly?.- 1. So You Want to Be a Rock and Roll Star? -- 2. Hitsville: Writing a Hit Song -- 3. Innovation: Will You Ever Hear Surf Music Again? -- 4. Contracts: You Never Give Me Your Money, All I Get Is Your Funny Paper -- 5. Live Performance: Touring Can Make You Crazy -- 6. Death: Elvis Has Just Left the Building -- 7. The Technological Entrepreneurs: Engineers, Accountants, and Hippies -- 8. Absolutely Free: Only If You Want It to Be! -- Epilogue: Is Rock and Roll Here to Stay? -- References -- Index -- Song Index. En línea: http://dx.doi.org/10.1007/978-1-4614-5900-2 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=36428 Rock and Roll Fantasy? : The Reality of Going from Garage Band to Superstardom [documento electrónico] / Ronnie J. Phillips ; SpringerLink (Online service) . - New York, NY : Springer New York : Imprint: Springer, 2013 . - XXIII, 124 p. 19 illus., 13 illus. in color : online resource. - (SpringerBriefs in Business, ISSN 2191-5482; 35) .
ISBN : 978-1-4614-5900-2
Idioma : Inglés (eng)
Palabras clave: Business Performing arts Entrepreneurship Management Industrial management International law Intellectual property Law and legislation Innovation/Technology IT Media Law, Property Arts Clasificación: 658 Empresas. Organización de empresas Resumen: We are in an era where developments in both technology and musical style have coalesced to produce the greatest period of change in the music industry since the invention of recorded sound. Globalization, the Internet, and digital technology are now opening up possibilities for more artists to be innovative and financially successful. But new music requires new ways of doing business. For more artists to be better off requires new business models to replace those that dominated the 20th century. Integrating insights from economics, management, and intellectual property law, the author explores the dynamics of entrepreneurship and innovation in the music industry, and offers such provocative assessments as these: · The Beatles might never have broken up if they had the kind of two-tier contracts – as band members and as solo artists – that are common in the music industry today. · Buddy Holly would likely have avoided his tragic death in a plane crash at age 22 if his 1959 tour had been sponsored by a company like Coca Cola because today’s corporatized tours are vastly better financed and organized than the haphazard efforts of the 1950s. · The economic value of albums by the likes of Elvis and Michael Jackson has risen significantly since their deaths – the ironic byproduct of the way their behavior tarnished their own brands while they were alive. · Diana Ross might never have quit The Supremes if she had known that one-third of the artists in the 1960s who quit the group had charting careers of only one year. · Thomas Edison’s invention of the phonograph led to the modern record industry, but he is really the godfather of computer programs like Garageband which have created home recording studios. The collapse of the Soviet Union threatened the sound of rock and roll but an American entrepreneur saved the day Nota de contenido: Prologue:Who Killed Buddy Holly?.- 1. So You Want to Be a Rock and Roll Star? -- 2. Hitsville: Writing a Hit Song -- 3. Innovation: Will You Ever Hear Surf Music Again? -- 4. Contracts: You Never Give Me Your Money, All I Get Is Your Funny Paper -- 5. Live Performance: Touring Can Make You Crazy -- 6. Death: Elvis Has Just Left the Building -- 7. The Technological Entrepreneurs: Engineers, Accountants, and Hippies -- 8. Absolutely Free: Only If You Want It to Be! -- Epilogue: Is Rock and Roll Here to Stay? -- References -- Index -- Song Index. En línea: http://dx.doi.org/10.1007/978-1-4614-5900-2 Link: https://biblioteca.cunef.edu/gestion/catalogo/index.php?lvl=notice_display&id=36428 Ejemplares
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